Holographic touring projection installation
ANCIENT VOICE OF THE FUTURE
Ancient Voice of the Future brings First Nations storytelling into an immersive world shaped by performance, sound and digital imagery. Developed with artist David Bindi Hudson, it invites audiences to encounter stories through voice and movement, with technology responding to the performer. An initial creative stage and VR prototype have been completed, with the larger experience in development. The project shows how immersive technology can support cultural storytelling while keeping the artist’s voice at its centre.
Watch on Vimeo ↗Case study
Case study · October 2026 · Pages 9, 10
Ancient voice of the future
Immersive Indigenous storytelling
David Bindi Hudson’s voice, music and cultural knowledge shape an immersive journey from ancient storytelling into future worlds.
The public opportunity
David Bindi Hudson and Georgie Pinn collaborate through INTERACTOR, bringing First Nations storytelling into dialogue with contemporary technology. David’s Ewamian and Western Yalanji heritage, cultural knowledge and connection to Country shape the work.
The experience
Theatre and installation can run together or independently. Projection-mapped eagle wings, holographic imagery, spatial sound and landscapes surround David’s live and virtual performance; visitors can explore story, animation and sound through movement.
What is documented
The first creative development stage is complete, including a VR prototype for partners to explore the proposed stage environment, scale and visual language. The full touring production and destination installations are the next development opportunity; neither is presented here as an operating attraction.
Source: Ancient Voice deck pp. 3-8 and 10-19; Tourism & Culture deck p. 6; Georgie’s project update, 25 Oct 2026.
Public value and next application
Outcomes to pursue and measure in a future commission
Cultural storytelling with depth
David’s voice and cultural knowledge lead the experience. Performance and audience exploration offer complementary ways to encounter his stories, with the cultural leadership and permissions carried through each presentation.
A cultural export designed to travel
A modular set and two presentation formats offer a pathway from galleries and intimate venues to theatres and festivals. Touring could introduce international audiences to the work while allowing presenters to choose a suitable scale.
Queensland destinations towards 2032
The format could anchor Queensland destination experiences, linking a memorable show with deeper discovery. Local adaptations would involve relevant cultural authorities and partners, connecting visitors with First Nations-led experiences.
Step inside before it is built
The VR prototype gives partners a way to explore scale, staging and visual language before physical production. Concept imagery shows the intended world; the next stage develops the full performance and installation.
Audience intelligence and business value
Audience intelligence: With cultural leadership and agreed data governance, future presentations could assess participation, time spent, chosen story pathways and voluntary feedback on cultural understanding and connection to place. Business value: Inform culturally approved programming, touring and destination partnerships; explore interest in related First Nations-led experiences while cultural knowledge stays outside default analytics.
How to evaluate a future commission
Participation and format Compare theatre and installation use, exploration time and voluntary feedback. Cultural connection Agree feedback questions, interpretation and sharing with cultural leadership. Touring and destination fit Test venue requirements, audience demand and opt-in partner referral interest.
A useful commissioning step
Partner on the next creative and technical development stage: confirm the cultural framework, refine performance and installation modes, and test a host venue before a touring or Queensland destination pilot.
Evidence: Ancient Voice deck pp. 3-8 and 10-19; Tourism & Culture deck p. 6; Georgie’s project update, 25 Oct 2026.
